This has real class. Like much of Bernstein's show music, the score of "Candide" is equally at home on the concert stage as the theater. Clare Grundman's great arranging talent has once again produced a

Originally written for orchestra, Danzon No. 2 has enjoyed significant popularity on performance programs everywhere. The danzon itself was Cuban-born, from a natural synthesis of Spanish, British,

An important part of core literature for concert band, this three-movement suite treats traditional melodies with remarkable originality and subtle charm. The movements are titled March: Seventeen Come

A stirring chorale prelude in Smith's grandiose style that even offers optional audience participation. Great fanfares help to make this a real crowd pleaser!

The first published work of John Barnes Chance, this superb composition is widely recognized and acclaimed for its wealth of rhythmic and melodic inventiveness. It opens with a slow, intriguingly

Taken from Arnold's Little Suite for Brass, Op. 80, John Paynter's splendid arrangement retains the breezy, folk-like quality of the original. Solos highlight the siciliano while the technical

Written in 1905, this exceptional suite, based on English folk songs, is every bit as important and masterful as Holst's First Suite in E Flat. Together, these two works provide critically important

A very deservedly popular composition consisting of five contrasting variations on a lyrical Korean folk song. Stated first in unison by the woodwinds, the material is brilliantly explored and developed.